35mm cameras have long circulated on the market in 1934 and became the best sales product untuk 1960s. This camera’s type is popular among the public at the beginning 1913. Discovering of photography technology pioneered by Leica is really successful on the market in 1925, it’s proving the brand of Leica became a symbol of status and widely credited with generating lens technology with a small size.

In 1934, KODAK Company has launched a product called KODAK Retina. It was a first 35mm camera that uses the modern film cartridge. The next innovation happened in 1960 when the NIKON introduced NIKON F SLR product. It was the beginning of the single-lens reflex system that became a dominant photography’s technology. This camera type has proven easy for use with any function such as viewfinder, focusing screen, and automatic motor drive to move the film.

Introduction of the Digital SLR makes huge on the photography market with gaining popularity and affordable price. Digital SLR has advantages in convenience and flexibility factors for use. This technology has shifted the function of a 35mm camera even now continues to grow.

More buyers currently are selecting digital cameras over film cameras because of the many advantages they have. Some positive aspects include the capability to view your photos just after you take picture, and getting the choice of whether or not you would like to keep it. You may also record video using the touch of the button with lots of models, and keep more pictures on a storage device rather than a film roll. However, with the new and better characteristics in cameras which come out annually, can sometimes confuse getting what features are most significant to you, and what capabilities you may not use.

Generally, the greater the megapixel count is the best image quality will likely be. Do not forget that the real difference in picture quality isn’t visible in a 4×6 print normal sized with a digital camera that has about 6 mega pixels. You can generally only see the variance when a photo is blown – up to a size bigger, as a poster.

If you wish, a camera that doesn’t get fuzzy photos due to unsteady hands or moving items, this has to be a characteristic you ought to look for. The producers of digital cameras with image stabilization technology to set the hardware in the digital camera stabilization or enhance the digital camera sensitivity and shutter speed (that makes the picture more quickly) to avoid the photos come out dark caused by movement.

Camera stabilizers have an inner digital camera support with a roll axis to provide stability on picture making. Some of which mechanically isolates the photographer’s movement from the camera, that enables a very easy shot regardless if the photographer is in motion or in the event the cameraman is on an uneven surface.

While the uses of tripods are usually for stabilize camera movements. A video camera stabilizer combines the stabilized stable footage of a conventional tripod mount and many more. This camera accessory smoothly employs the operator’s broad actions and soaks up any jerks, bumps and shakes much better than the tripod.

If you are editing the photos, you have, you’ll likely want a camera that comes with photo-editing software. Other accessories might consist of things such as batteries, battery charger, USB cable (for connecting to a computer), cases, memory cards, AV wires, etc.

Most digital cameras have a small amount of memory or a low capability storage device, and acquiring a storage device which has enough space for your photos, and video is almost a necessity. Moreover, you may want to get a box for your new camera in order to protect you from possible damage.

Panasonic LUMIX FH25
The LUMIX DMC-FH25 shoots high-quality 16.1 megapixel images and combines a 28mm wide-angle*1 LEICA DC lens with a powerful 8x optical zoom to take amazing photos. Redesigned with an easy-to-hold grip and slim and stylish profile, it features a 2.7″ Intelligent LCD, 720p High Definition (HD) video recording and advanced iA (Intelligent Auto) for ease of use.

MEGA O.I.S. (Optical Image Stabilization) Shake Detection
The MEGA O.I.S. (Optical Image Stabilizer)* in the DMC-FH25 compensates for the blurring caused by hand-shake. Even slight hand-shake movement is accurately detected by a sampling frequency of 4,000 times per second, and compensated to produce sharp, clear images. The Venus Engine VI controls the shifting of the blur-stopping lens with even greater precision to further increase the detection accuracy and correction effect of MEGA O.I.S. It works for zoom shots and macro shots, which are especially susceptible to hand-shake, and lets you shoot in dimly lit rooms or evening illumination to preserve the mood. In short, it lets anybody take beautiful, blur-free shots with ease.

 

* MEGA O.I.S. is automatically turned on in iA Mode and can be turned on or off in Normal Picture Mode or some Scene Modes.

Intelligent ISO Control Motion Detection
The Intelligent ISO Control function* in the DMC-FH25 made possible by the Venus Engine VI detects subject movement and automatically adjusts the ISO setting and shutter speed to best suit the movement and light conditions. When it detects subject motion, it automatically raises the ISO setting and increases the shutter speed to prevent motion blur. On the other hand, when the subject is still and no movement is detected, it takes beautiful natural photos with a low ISO setting. The Intelligent ISO Control gives you stunning images with ease because there is no need for complicated settings.

Scene Modes
A total of 28 modes, such as Baby, Pet and Sports, allows the user to choose the setting and the camera do the rest. Users can also record the name/birthday of a child or pet and embed the information in the photo and have it printed if desired.

Built-in memory 70MBTake photos even when you don’t have an SD/SDHC/SDXC Memory Card* on hand. The built-in memory holds up to approx. 70MB of image data, which you can later copy to an SD/SDHC/SDXC Memory Card or computer. You can also copy images from a memory card or computer to the built-in memory, and view them on the LCD anytime you like. In addition to providing extra memory when your memory card fills up, this is a great place to store your favorite photos so you can view them anytime you want.

Delivers 15.8 Gbps bandwith Delivers 14-bit Deep Color and supports 1080p resolution for clear sound and sharp pictures THX Certified UL Rated for in-wall installations ISF Certified for professional video calibrations

Battery Charger for select Panasonic Models

Compact battery charger is great for travel with retracting plug, charging status indicator, and universal voltage AC 100-240V (50/60 Hz).

Kinivo 501BN is a premium quality High speed HDMI Switch for your gaming or home theater setup. It allows for switching upto 5 HDMI inputs into one output and supports resolutions upto 1080p.

Easy plug & play operation
Simply plug in the hdmi input sources into the input connections and the output connection to your TV or projector. 501BN will automatically switch to the currently active input source if there is only one active input. If there are multiple active inputs, then you can select the input either using the IR remote or using the select button on the switch. The HDMI signal from the selected input is passed through to the output HDMI connection.

Quality Picture and Sound
- Automating switching(smart function), IR remote controlled switching or manual switching
- Supports 3D, HDCP and all other HDMI 1.3 features
- Guaranteed 1080p, 1080i, 720p, 480p, and 480i Resolutions
- Works with all HDTVs, Blu-ray players, Xbox 360, PS3 and other HDMI devices
- Helps reduce clutter of HDMI wires being fed into your HDTV
Note: Apple TV keeps its HDMI port active even in the sleep state. Hence, auto-switching may not work with the Apple TV. Manual switching can still be used in this scenario.

Contents
- Kinivo 501BN HDMI switch
- IR remote control with battery
- AC power adapter
- User manual

Warranty
All Kinivo HDMI products are backed by a 1 year warranty. Please contact us via email if you have any questions.

The new, fast-access SlingShot AW series builds on the inventive design of the original and incorporates what many photographers are looking for: faster access, extra space for personal items, improved organization, and the ability to add a tripod. The SlingShot AW offers more volume in the upper compartment for extra accessories or personal items. A Hideaway Tripod Mount system with foldout holder and quick-release buckle secures a compact tripod to the side. The same inventive design—letting you quickly rotate to the front to access—remains a Sling Bags tried-and-true feature of this customer favorite. Also includes: a patented All Weather AW Cover; 3 SlipLock attachment loops; built-in microfiber cleaning cloth; and more.

Hardware Capacity:
DSLR (without grip) up to Nikon D700 or Canon 5D with attached standard zoom lens; 3-4 additional lenses or flash units and accessories (including a point-and-shoot camera); compact tripod or monopod; personal items

SlingShot 202 AW: 1. Original camera sling bag design Allows quick rotation from back to front to access camera, lenses and accessories without removing bag 2. Increased volume throughout the sling Provides additional space for personal items and accessories in an upper compartment, stash pocket and front pocket 3. Easy-glide zippers Offer smooth operation and fast access to all compartments 4. Main camera compartment with updated divider system Accommodates most popular DSLR models 5. Hideaway Tripod Mount system Secures a compact tripod or monopod to side of sling via a foldout holder, quick-release buckle and strap 6. Ergonomic sling strap Offers a unique, comfortable way to carry gear 7. SlipLock attachment loops Expand carrying capacity by adding compatible pouches, cases and bags 8. Two built-in memory card pockets Provides easy-to-access extra memory on inside lid of main compartment 9. Repositioned, built-in microfiber cloth Provides convenient cleaning cloth that tucks into a mesh pocket and out of the way of camera   Additional Features & Benefits: All weather AW cover protects camera gear and personal items from the elements and tucks away when not in use   Airline carry-on compatible

The next-generation of the SlingShot AW series builds on the inventive design of its predecessor and incorporates enhanced features based on suggestions from some of our customers—also known as big fans of this original camera sling bag. Created to go from carry mode to ready mode in seconds, the SlingShot AW rotates from back to front for fast and easy access to camera gear. The newest design incorporates even more of what busy shooters are looking for: extra space for personal items, faster access, improved organization, and the ability to add a tripod. The SlingShot AW offers more volume in the upper compartment, plus the addition of an elastic band for securing a manual or book. A zippered slash pocket at the top is the perfect spot to grab a UV filter, cell phone or keys. Easyglide zippers throughout the construction make opening and closing fast and smooth. The main camera compartment features a flexible divider system that lets one quickly and comfortably access a DSLR. A built-in microfiber cleaning cloth is conveniently positioned at the side and tucks away into a stretch mesh pocket and out of the way of the camera. The next-generation SlingShot AW includes a Hideaway Tripod Mount system with foldout holder and quick-release buckle with strap to secure a compact tripod or monopod to the side. Additional features include: Lowepro’s patented All Weather AW Cover; ergonomic sling strap and padded waistbelt; padded main compartment with adjustable dividers; 3 SlipLock attachment loops; and 2 built-in memory card pockets.

Every Nikon DSLR camera uses an optical low-pass filter (OLPF) in front of its sensor for slightly blur the image at a pixel level in order to reduce the occurrence of false colors and moiré that can appear when shooting repetitive and/or fine patterns. For the vast majority of photographers, the D800 provides an ideal balance between sharpness and effectively prevented moiré and false color, ideal for shooting using all file formats. D800E is a specialized camera that removes the “effect” of the OLPF, which results in a slight gain in sharpness and resolution and is recommended for studio and still life professionals but carries an increased possibility that moiré and false color will appear.

Technical Details

The introduction of the HPX170 marks the next generation of Panasonic’s, full production quality, 4:2:2 1080/ 720/ SD P2HD Hand-Held camcorders. Based on the recently introduced HVX200A, this completely solid state P2 handheld offers some important feature enhancements as well as an industry leading 5 year warranty. (1 year + 4 additional years after registration). Unlike its brother, the AG-HVX200A a transitional camera perfectly matched for the customer that wants to continue using or delivering venerable DV tape. The HPX170 is for the customer that has fully embraced the tremendous advantages of P2’s file based workflow. The HPX170 is a P2 solid state only camera that includes many extra features and benefits.

Starting with the front end of the camera, the HPX170 uses a newly-developed 1/3-inch progressive 3- CCD imager system which substantially improves signal-to noise (S/N) ratio, enhances low-light performance and prevents smear. Using exactly the same imager system as the HVX200A, this camera will produce similar images and is an ideal shooting partner. The HPX170 utilizes the highlyreputed Leica Dicomar 13x lens roughly the equivalent of 28 mm in 35mm still photography terms. It ranges from 3.9mm to 51mm with a filter diameter of 72mm.

Adoption of this new wider lens and the use of P2 cards instead of dual P2 and tape as storage media have brought about the reduction of the body weight by 20% from the AGHVX200A, allowing more mobile HD shooting. The HPX170 weighs in at 4.2 lbs, just slightly more than a DVX100B.

The AG-HPX170 has a number of new features that truly make it one of the most advanced camcorders in its price range. Many customer suggestions have been incorporated into this camera design along with state of the art technology like the new CCDs and lens assembly. Manufactured with a magnesium aluminum alloy just like the HVX200 series, the camera is highly durable and comes ready to work. It comes with a 16 GB P2 card and an updated book from Barry Green that references both the HPX170 as well as the HVX200 series of cameras.

Important new features that really make this camera a next generation leader are HD/SDI (also allows for SD) output, improved LCD performance, and a useful waveform monitor and vectorscope function. The HPX170 also includes three different advanced focus assist functions, all of which respond a little differently so that you can choose the one that is perfect for the shooting scenario. Additionally, your customer can now enter metadata in the field, just like the HPX2000/3000 P2 cameras.

Panasonic AG-HPX170 Highlights

New Features (summary):

• All solid state -P2 cards – 2 Slots
• HD/SDI — (including SD)
• 6 pin Firewire with locking connection. (no power out)
  
• Color Bars with 1kHz Tone
• Metadata input – like the P2 Gear
• Camera Playback format can be changed without going into menus
• Additional Neutral Density filters, 1/4, 1/16, 1/64
• Additional Functionality of the User Buttons, Delete Last Clip, Pre- Record and Variable Frame rate
• WaveForm Monitor and Vectorscope
• Dedicated Slot Select Button
• Three Focus Assist functions, 2X blow-up,
• Histogram, and Focus Bar
• 20 Variable Frame Rates, 12, 15, 18, 20, 21, 22, 24, 25, 26, 27, 28, 30, 32, 34, 36, 40, 44, 48, 54, 60
• DVX-Style Navigational Tool
• Security Cable Attachment Hole
• Dynamic Range Stretching in 60I/60P HD, replaces News Gamma
• Iris/focus ring assignment switch so that focus ring can be the iris
• Time & date stamp burn-in, perfect for Legal Video work
• Most cables facing rear to reduce conflicts, Audio connections in the same place
• Manual Focus Assist, camera will hit the last critical focus point
• LCD Screen can be flipped for use with 35mm adapters
• 10X, 5X, 2x Digital Zoom

Dynamic Range Stretch (DRS)
The DRS function reduces the blocked shadows and blown highlights in scenes where bright and dark objects coexist, such as the view of a room from outdoors. With this function, even if there are bright, halftone, and dark areas in a scene, their gradation will be maintained and blocked shadows, blown highlights, and color distortions will be minimized. The result is video with a visually wide dynamic range.

Enhanced focus-assist functions
The Center 2X Blow-up focus-assist function from the HVX200 is included. The histogram function featured on the HPX500 is now a part of this camera and you can choose Center Zoom, Histogram, or both. The third focus assist is a Focus Bar display. The bar grows longer as things become focused. The EVF DTL is more enhanced as well to allow pictures to be focused more easily by emphasizing the object contours on the EVF and LCD monitor screens.

SDI (HD/SD switchable) output
The AG-HPX170 comes equipped with an SDI (HD/SD) output terminal for serial digital transfer of uncompressed audio/visual data. It is compatible with digital broadcasting environments and allows for a secondary recording with another Panasonic digital recorder (P2HD/HD-D5/DVCPRO HD) or it can be incorporated into a small HD/SDI studio with our AV-HS400 Digital Switcher.

Camera Processing and Technology
There are three critical components working hand-in-hand to make the images from this camera. The CCDs benefit from the additional picture information offered by the spatial offset on the pixels. This allows the non-photosensitive areas of the CCD (the registers between the pixels) to add to the picture quality.

New Progressive CCD Raises Sensitivity and Lowers Noise and Smear
The new 1/3-inch 16:9 progressive CCD on the AG-HPX170 further raises image quality. It combines a significantly improved S/N ratio and better low-light performance than previous models. Backed by a highperformance digital signal processor, the CCD brings higher quality to HD images to meet the demands of broadcasters and high-end video producers.

High-Resolution Native
Progressive 1080/60p Scan Progressive to interlace conversion, cross conversion and down conversion all start with the 1080p/60 scan. That initial 1080p progressive scan signal coming off of the CCDs offers the highest level of vertical resolution possible at this level of camera. Keep in mind that the camera does not record this signal but uses it as a basis for all captures. The result is an HD or SD recording with a level of image quality that cannot be matched by electronically processed scans (pixel for pixel).

DSP with 14-Bit A/D Conversion and 19-Bit Processing
The digital signal processor developed for the AG-HPX170’s 1080/60p video signals uses 14-bit A/D conversion and 19-bit inner processing to attain unprecedented accuracy in color and detail. The DSP performs a variety of adjustments, including eight types of gamma settings, for each of the R, G and B channels. It also converts the signals to HD or SD format. With a performance equivalent to the processors used in many higher-end HD cameras, this DSP delivers beautiful images in all video formats.

Manual Focus Assist

Manual Focus Assist
There is a dynamic new feature on this camera that will make it really interesting to any shooter that has to run and gun their images. The two images on the right are indicating the rotation required for the focus ring under the Standard Mode, which you would use if you were doing production and wanted to use a Focus Puller to do a rack focus on the subjects at hand. This represents about 300 degrees. The second figure, is called Manual Focus Assist, and it indicates a much shorter rotation, which equates to getting to the focus point much more quickly. Keep in mind the rotation on a Broadcast lens is about 120 degrees. What is really interesting is that when you start to get close, the camera sees the PEAK and carries out the tail end of the focus, then goes back to no auto-focus. This should be a function that you show every customer that shoots news for a living.

MetaData input and management
A significant part of file-based workflow is the metadata portion of the footage. IT is what makes it easy to find thing later. It also allows the field personnel to communicate with the editorial staff. The correct spelling of the interviewee’s name can be input on the clip within the body of the camera itself. The only other cameras that allow this functionality are the larger AJHPX2000 and up.

NTSC/PAL Upgradeable
This camera can be upgraded for International capability once you have registered for the 5 year warranty. Panasonic Service will only upgrade units that are owned by US customers at a US address. End-users must initiate the request for Panasonic to do the upgrade and Panasonic resale partners are not eligible for this upgrade. Once you have received the Warranty Registration, you will need to send an email to pbtscservice@us.panasonic.com. What’s in the box:

• AG-HPX170 DVCPRO HD P2 Camcorder
• Barry Green’s The HVX and HPX Book
• CG-AD54S 5400mA Battery for approximately 140 minutes of continuous recording
• AG-B25 AC Adapter/Battery Charger
• Accessory Mike Holder
• Component Video Cable w/ RCA-BNC Adapters
• Remote Control
• Shoulder Strap
• Instruction Manual